With the development of compatible AV receivers, the battlefield quickly shifted to the living room. This meant that, theoretically, theater operators were limited only by their appetite to add extra speakers and amplification.
Known in the industry as “object-based” sound technology, Atmos allowed for up to 128 distinct sound objects to be represented in a given scene, which could be routed to up to 64 different speakers.Ĭompetitors like Digital Theater Systems (DTS) soon followed suit, with the company boasting that its DTS:X technology could produce more individual audio feeds than Atmos, which was hard-capped at 64. With Atmos, the sounds in a theater could now come from distinct locations determined by the professional audio mixers that had arranged them. What is Amazon Music: everything you need to knowīest AV receivers 2023: top sound for your home theater Fitbit Versa 3Īudible brings immersive Dolby Atmos to its audiobooks
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